Funding is part of region’s ongoing support for emerging film industries inMENA. The submissions for the fall grant is still open till the 15th of July 2012.
Doha, Qatar, June 16, 2012: Reflecting the growing strength and diversity of Gulf filmmaking, the DFI announced 24 new features, documentaries and short films from the Gulf, Levant and North Africa will receive funding as part of the Institute’s 2012 grants programme.
The region’s collaborative approach to film funding is supporting the development of the fast growing Gulf film industry. This year’s grant recipients also reflect a rise in applicants from Algeria, in a year which marks the country’s 50th anniversary of independence.
The 24 projects span the geography, history and social complexity of the Arab world and its cinematic diversity. Entries from Algeria, Morocco, Tunisia, Libya and Egypt in North Africa to Palestine, Syria, Lebanon, Jordan and Palestine in the Levant, and Qatar and Kuwait in the Arabian Gulf take on subjects as diverse as Afghan cameleers in 19th century Australia, the impact of civil unrest in contemporary Tunisia, female football scouts journeying across Libya to find women players and the future of Arab Gulf society as women are increasingly integrated.
Tales of modern romance, family violence, financial crimes, collective and individual amnesia and unusual takes on the Arab spring including a film on former Egyptian president Hosni Mubarak’s national fateful address to the nation are among the harvest from the 12 nations represented in the shortlist. Nine of the shortlisted film projects are narrative features; eight are documentaries; an additional four are narrative shorts and two are experimental films.
In a marked change from previous DFI grants editions, accomplished directors such as Morocco’s Hakim Belabbes and Lebanon’s Dima El Horr have received funding in addition to emerging and first-time directors. Experimental shorts intermingle with traditional storytelling in the shortlist.
More than 40 film projects from over 10 countries received funding during DFI’s 2011 grants cycles, with a majority applying for production and post-production support. Doha Film Institute Executive Director Amanda Palmer said the growing diversity in its grants portfolio speaks to a coming watershed moment for cinema from the region.
“There is an undeniable increase in the quality, diversity and volume of entries this year. The submissions reflect the exciting changes happening in the Gulf region at the moment and the huge potential for its growing film industry and the strength of its creative talent.”
We’re proud to be able to support and encourage this passionate new wave of storytellers as well as continuing to back more established talent working in theMENA region.” The DFI’s twice-yearly filmmaking grants are one of many training, development and funding support initiatives extended by the film institute to filmmakers across the Arab world.
Projects eligible for funding include feature films, feature length documentaries, short fiction and documentary films and experimental films, with no restrictions on story genre, length and overall budget. Films are eligible for funding at all stages of production – from development, production, post-production to P&A (Prints & Advertising).
Grant recipients for 2012 include:
FEATURE NARRATIVE
Production
A Concert
Nadim Tabet, Lebanon
Amira and her friends plan a concert in Beirut to help fund their own apartment and independence. Life has other plans.
Aicha Bonheur
Hakim Belabbes, Morocco/England/USA
In Casablanca, a teenage girl who loves to run is lured by the promise of professional coaching and equipment.
Algiers by Night
Yanis Koussim, Algeria
The city comes alive at night, with roller-bladers, middle aged men, young women, insomniacs and party people and their stories.
Blessed Benefit
Mahmoud Al Massad, Jordan/Netherlands/Germany
During Ramadan, a man sentenced for a minor financial misdemeanor finds peace and morality in the prison.
Post-Production
Line of Sight
Aseel Mansour, Jordan/France
A woman points a gun at a car thief and his accomplice. She needs to retrieve memories from her car, he needs an ear and some money.
The Professor
Mahmoud Ben Mahmoud, Tunisia
Development
Ideal Love
Dima El Horr, Lebanon
Tamara, an attractive and sparkling biology professor, gets a taste of what could be love, and reconsiders migrating out of Lebanon.
The Day I Lost My Shadow
Soudade Kaadan, Syria
Between water outages and power cuts, all Sana dreams about is a hot shower. She takes a day off from her two jobs to search for a gas cylinder.
One Week Ago, Today
Rania Attieh, Lebanon
An ageing prostitute takes charge of a young man with amnesia who is returned to his senile old father.
Shelter
Kasem Kharsa, Egypt/Lebanon/UK/USA/UAE
Ghetto dweller Ahmed can’t remember his past but is haunted by a recurring nightmare where he is strangling a group of beautiful horses.
SHORT NARRATIVE
Production
Control Room
Mohammed Adeeb, Egypt
In the state TV control room, the technical team is preparing for what is arguably the most important speech ever transmitted there: Mubarak’s address to the Tahrir Square demonstrators on January 25, 2011.
Playtime
Hamad Al-Tourah, Kuwait
An eight-year-old boy wanders around Kuwait, trying to track down the mother who has left him home alone for a night out.
Mourning
Rama Mari, Palestine
Yassin kills his father for brutalizing his mother – who is the martyr here, and who are the survivors?
The Box
Alaa Mosbah, Egypt Tariq, a teenager, wants to show his best friend that he is a man. But his mother gets in the way.
FEATURE DOCUMENTARY
Development
Salaam Plenty
Yasmine Kassari, Morocco/Belgium/Australia
A portrait of Australia’s Afghan cameleers from the mid-1800s to 1930, based on testimony from their descendants, period photographs and press clippings.
The Foreign Son
Abdallah Badis, Algeria/France
50-year-old Omar returns to his homeland and the tortuous path unfolding in front of him, led by a providential child.
Matoub Lounes: The Story of a Legend
Regine Abadia, Algeria/France
In the Berber-speaking world, Kabyle singer Matoub Lounès is a legend for standing up to a tyrannical military government and radical Islamism.
Freedom Fields
Naziha Arebi, Libya
Sohad, a passionate female football scout, works her way across the country to discover and empower the women of Libya through sport.
Post-Production
Embers
Tamara Stepanyan, Lebanon/Armenia
A grandmother and granddaughter explore nostalgia, history, ideologies, war and peace.
Cursed be the Phosphate
Sami Tlili, Tunisia
In January 2008, a group of unemployed youth began a movement of civil dissent. Four years later, what remains of this human adventure is broken souls, open wounds, pride, and dignity.
Production
Remnant of Photos
Khalil El-Muzayen, Palestine
Gaza cinemas have gone silent, even though its people rushed into theatres to see the new releases. What has happened to film there today?
When Home… Becomes Hell
Dalila Ennadre, Morocco/France
The Medina of Casablanca cries out for its inhabitants and their memory but above all, for a more human world.
EXPERIMENTAL
Production/Post Production
Encounters
Sarah Francis, Lebanon
Feature
A glassed van roams the city, home to a camera that encourages people to share a personal moment with this moving confessional.
That Which is Coming
Sophia Al-Maria, Qatar
Short
A meditation on the changing role of women in the Arabian Gulf, which casts woman as the elemental connector between life and death, the earth and the stars, past and future.
